For several years I've been asked if I have a web site. I would reply, apologetically, that I did not. After wishing, exploring, and number crunching, I decided to try building one myself. I was going to join my husband in the "computer geek" world. Thank goodness it has become "easier" for someone without lots of training to build a site. That said, I couldn't have done it without SOME lessons. I signed up for an on-line class from Nicolette Tallmage of The Crafted Webmaster . I especially enjoyed her style of teaching using the webinar format. She teaches live so questions can be asked and answered in real time. For me, that worked well and the cost was reasonable.
I was pretty naive when the class began. I knew the learning curve would be high, but there are times when I think my brain hurts! Nicolette is a very patient teacher, however, and has created videos that students can go back and view as many times as needed. This has been a tremendous help as I've worked on my site. My website is a work in progress and I believe always will be as I add new works to the galleries. There are still a few things I haven't figured out yet, like how to turn off some of the default effects, but I'm getting there. In fact, I love a challenge whether it's problem solving in the creation of an art piece or trying to figure out how to make something work the way I want it to in a computer program.
So take a peek at my efforts so far at rebeccakemble.com. I'd love to hear what you think, and please let me know if something doesn't work!
Showing posts with label creativity. Show all posts
Showing posts with label creativity. Show all posts
Monday, September 13, 2010
Friday, July 30, 2010
When it Rains, It Pours - Inspiration
As I type, there is another thunderstorm outside with rain so heavy it's difficult to see across the street. This seems to have become the norm this summer. Lots of precipitation this year. Record snowfall last winter, now record rains. This past winter, when my environment was nothing but gray and white, I spent the time creating with that in mind.
North Wind is one in a series of work from my winter contemplation. Matted and framed to 8 x 10, it is made of silk from Japanese wedding kimonos, hand dyed silk, hand dyed cotton, rayon threads, beads and pearls.
When surrounded by snow, my creative spirit took it in. Water, in it's frozen state. Now that I'm surrounded by water in it's liquid form, what might my creative spirit do with it?
North Wind is one in a series of work from my winter contemplation. Matted and framed to 8 x 10, it is made of silk from Japanese wedding kimonos, hand dyed silk, hand dyed cotton, rayon threads, beads and pearls.When surrounded by snow, my creative spirit took it in. Water, in it's frozen state. Now that I'm surrounded by water in it's liquid form, what might my creative spirit do with it?
Tuesday, May 25, 2010
International Spring Quilt Market
I was fortunate to be able to accompany a friend of mine, Ilene Bartos, to market. She was there to promote her new book, Spectacular Rectangles published by Martingale. They were kind enough to give me a badge which was my ticket to enter. Market isn't like a show where you can pay to go view the quilts and visit the vendors. It's the wholesale part of the business.
I had gone with the intention of supporting Ilene and not really thinking about opportunities I might have. This was a very exciting experience for me. I was asked to "try" some new products and let the manufacturers know what I think of it and I have some things to design. The people I met were wonderful and the possibilities are countless.
I had gone with the intention of supporting Ilene and not really thinking about opportunities I might have. This was a very exciting experience for me. I was asked to "try" some new products and let the manufacturers know what I think of it and I have some things to design. The people I met were wonderful and the possibilities are countless.
Monday, May 3, 2010
Creative Lulls and Cycles
It's been quiet here on my blog, and quiet in my studio of late. I used to think there must be something wrong with me if I wasn't producing art work on a daily basis. While I do think it's important to be in the studio with my hands in "something", I have come to recognize that my creative energy comes in cycles. There are times when production is fast and furious and the ideas are coming so quickly I can't always get them in my sketch book in order to remember them.
Then there are the other times when nothing seems to work, and even the inspiration for things escapes me. I can only clean the studio so many times in a week, so what then? What is one to do when creative energy is at an all time low and everything that worked before, isn't now?
The past couple of months has been the longest uninspired time I've spent in many years. It's been excruciatingly frustrating and a bit depressing to just sit and stare at the unfinished work on the design wall. What was it asking for? Why doesn't it seem to be working? Where do I need to tweak the composition? - Nothing. Nada. Zip. No answer. I was staring at it, and it was staring back at me. So I left. I left the studio and headed out.
I began a drawing class at the art center. I thought perhaps this might kick me back into gear. At least it would keep my hands in something and take me back to my roots. Drawing in pencil and charcoal. The class is over for now and I found it quite enjoyable. Even have a drawing or two that turned out fairly well and will keep my hands in the charcoal and pencil for awhile.
At the same time, I began painting a house. Every wall of every room and closet. Every baseboard, door and piece of trim. Methodical. Quiet. Dip the brush and stroke. Push the roller, back and forth. Mindful. Meditative. Five weeks later, finished. Job accomplished. But something else happened. While moving that roller and brush, I began to focus on my unfinished art on the wall. Not really thinking about what it needs, just seeing it in my mind. Nothing concrete occurred, but, with the house painting finished, I am back in the studio filled with creative energy. The work on the design wall has been taken down, stitches ripped and sewn back in different configurations. It's working. I like where I think it's going, at least for now. Ideas are flowing again and I'm struggling with the sketch book and making lists.
I know there will be other non-creative and/or low energy times. I hope they don't last as long this one did. I don't want to have to paint another entire house, but . . . . .
Then there are the other times when nothing seems to work, and even the inspiration for things escapes me. I can only clean the studio so many times in a week, so what then? What is one to do when creative energy is at an all time low and everything that worked before, isn't now?
The past couple of months has been the longest uninspired time I've spent in many years. It's been excruciatingly frustrating and a bit depressing to just sit and stare at the unfinished work on the design wall. What was it asking for? Why doesn't it seem to be working? Where do I need to tweak the composition? - Nothing. Nada. Zip. No answer. I was staring at it, and it was staring back at me. So I left. I left the studio and headed out.
I began a drawing class at the art center. I thought perhaps this might kick me back into gear. At least it would keep my hands in something and take me back to my roots. Drawing in pencil and charcoal. The class is over for now and I found it quite enjoyable. Even have a drawing or two that turned out fairly well and will keep my hands in the charcoal and pencil for awhile.
At the same time, I began painting a house. Every wall of every room and closet. Every baseboard, door and piece of trim. Methodical. Quiet. Dip the brush and stroke. Push the roller, back and forth. Mindful. Meditative. Five weeks later, finished. Job accomplished. But something else happened. While moving that roller and brush, I began to focus on my unfinished art on the wall. Not really thinking about what it needs, just seeing it in my mind. Nothing concrete occurred, but, with the house painting finished, I am back in the studio filled with creative energy. The work on the design wall has been taken down, stitches ripped and sewn back in different configurations. It's working. I like where I think it's going, at least for now. Ideas are flowing again and I'm struggling with the sketch book and making lists.
I know there will be other non-creative and/or low energy times. I hope they don't last as long this one did. I don't want to have to paint another entire house, but . . . . .
Tuesday, September 29, 2009
Balancing Act - Part 2: Visioning
I'm not balancing very well yet. I am spending a good deal of time in the studio, which is good. But not enough time focusing on writing. Why is this a problem? Because writing my thoughts adds a great deal to my creative process. As I think through the possibilities, they become more concrete in writing. Once ideas are on the page (or the computer), I can't forget them, therefore they become more of a reality. If I am to create a more consistent body of work, then I need to focus and balance both of these creative aspects.
The Visioning Project officially kicks off on October 1st. I have made my list of goals, which need to be refined, and made a choice on the theme. I have become fascinated with quantum physics, quantum mechanics and particle physics. Do I understand it? Absolutely NOT! (Math was never my strong suit, either, but I have a great appreciation for it.) But there's a challenge in there that leaves me breathless and excited at attempting to understand - and filled with awe at the complexity of the universe. Because this subject matter is so wide, I have decided to narrow things a bit, at least to begin with, and explore the aspects of space/time. There are so many questions and really very few answers. The sketch book is new, but has words written now, so making other marks in it won't seem so intimidating.
Not sure where this will take me - but it certainly will be interesting. Stay tuned . . .
The Visioning Project officially kicks off on October 1st. I have made my list of goals, which need to be refined, and made a choice on the theme. I have become fascinated with quantum physics, quantum mechanics and particle physics. Do I understand it? Absolutely NOT! (Math was never my strong suit, either, but I have a great appreciation for it.) But there's a challenge in there that leaves me breathless and excited at attempting to understand - and filled with awe at the complexity of the universe. Because this subject matter is so wide, I have decided to narrow things a bit, at least to begin with, and explore the aspects of space/time. There are so many questions and really very few answers. The sketch book is new, but has words written now, so making other marks in it won't seem so intimidating.
Not sure where this will take me - but it certainly will be interesting. Stay tuned . . .
Labels:
Art Quilts,
creativity,
Inspiration,
quantum physics
Thursday, August 20, 2009
Balancing Act
It boggles my mind that I haven't written in more than a month. Where has the time gone? It's not that I haven't been busy, or that I haven't been working. I have. I've just ignored some of my networking responsibilities in order to take care of other things. It's time to get back to work here.
I have committed the next year to focusing on building a consistent body of work. In other words, I'm going to attempt to actually focus on one theme throughout the year. The Studio Art Quilters Association will begin "The Visioning Project" this fall. I have committed to this one goal and the group of artists who are also taking part, will, hopefully, be able to hold me accountable for getting the work done.
This means I will need to create balance between my daily life and my art studio, as well as create a balance in working on my art. I am interested in so many different things, there are times I feel scattered and unfocused as I work - jumping from one technique to another, from one project to another.
It's going to be interesting to see what happens as I actually attempt to focus myself and work intentionally in a different manner than I'm used to. I will be blogging on my experiences as I work. Because a year long focus is new for me, as well as the type of work I'm contemplating, I have no idea what will happen other than, I know I will learn much about myself.
Vacation's over - time to get to work and create my balancing act.
I have committed the next year to focusing on building a consistent body of work. In other words, I'm going to attempt to actually focus on one theme throughout the year. The Studio Art Quilters Association will begin "The Visioning Project" this fall. I have committed to this one goal and the group of artists who are also taking part, will, hopefully, be able to hold me accountable for getting the work done.
This means I will need to create balance between my daily life and my art studio, as well as create a balance in working on my art. I am interested in so many different things, there are times I feel scattered and unfocused as I work - jumping from one technique to another, from one project to another.
It's going to be interesting to see what happens as I actually attempt to focus myself and work intentionally in a different manner than I'm used to. I will be blogging on my experiences as I work. Because a year long focus is new for me, as well as the type of work I'm contemplating, I have no idea what will happen other than, I know I will learn much about myself.
Vacation's over - time to get to work and create my balancing act.
Labels:
Art,
Art Quilts,
balance,
creativity,
fiber art,
Inspiration
Tuesday, June 9, 2009
Inspiration
What inspires each of us to create? It's probably different for each person. For me, it's usually something found in nature, but it can also be an emotional experience, a cause that I believe in, or the plight of others.Lately, it's about texture. A camping trip to a friend's ranch in Eastern Wyoming has provided much to think about. The first photo is looking up from the bottom of a slot canyon where the water has carved the rock. The visible swirl patterns mark the path of rushing water over the centuries. It's hard to imagine as this is a fairly dry climate - high plains, but when it runs, it runs quickly. The canyon is only about 50 yards in length, and tells a long ago story.
The smooth texture of the rock as it's been carved is wonderful to feel while walking in. It narrows to about 12 inches in some spots, even narrower at the ground forcing one to "walk" on the sides pushing against the rock with feet and hands to move forward.
Then there's pine bark. What wonderful pattern and shifts in color! Different pines have different bark. I found this one to be most interesting.Now I just need to see what happens when I start playing with art stuff.
Friday, May 29, 2009
The Blank Page
It's a frightening thing - the blank page, the blank canvas, the blank anything, if one is expected to fill it with something. As a mixed media artist who sometimes writes, I have been intimidated more than once by the blank, white canvas/page. What is there to do when you stare and nothing comes? I suppose it's a common thing for those who compose, whether using musical notes, images or words. It's nice to know I'm in good company, but it's not a comfortable place to be.
There are discussions about when to stop - how do you know when a piece is finished? But what about how to begin? Sometimes, if I can just make the first mark, or cut a piece of fabric, or put one sentence on the paper, I have a place to begin. The first mark can be quite intimidating, however, especially if I let that old inner critic have a say; or if the fabric was pricey, it can be anxiety producing to make the first cut.
Make a mark, then another. Write a word, then another. Make a cut, then another. Off we go. Still, I'd like to know how others deal with the beginning.
There are discussions about when to stop - how do you know when a piece is finished? But what about how to begin? Sometimes, if I can just make the first mark, or cut a piece of fabric, or put one sentence on the paper, I have a place to begin. The first mark can be quite intimidating, however, especially if I let that old inner critic have a say; or if the fabric was pricey, it can be anxiety producing to make the first cut.
Make a mark, then another. Write a word, then another. Make a cut, then another. Off we go. Still, I'd like to know how others deal with the beginning.
Wednesday, May 13, 2009
Greenville Arms, Greenville, NY
It's a beautiful place, which served as a private home until 1952 when it became an inn. The hospitality is top notch and the setting wonderful. There are hiking trails nearby, which I have taken advantage of, and will again later in the week.
The studio is in the carriage house, where there is plenty of light, room and electrical outlets. An important piece for an artist who uses a sewing machine to draw.
It is now the beginning of the second day of the workshop, and the sun is shining beautifully. I am anxious to get to work.
Monday, May 11, 2009
Catskills
Today we will finish setting up the studio and preparing for the workshop. Studio space is great. It's set up for any type of media and lots of electrical outlets.
I plan to walk some today and see the town and surrounding area.
Saturday, May 9, 2009
On the way to Jamestown
Jamestown is a wonderful place. The downtown is fun. This is Lucille Ball's birthplace. The photo at left is painted on the side of one of the buildings. Many references and business names connected to Lucy and Desi here. We took a little drive through most of the downtown area. Would like to spend a little more time here one day.
Tomorrow we will reach our destination, the Greenville Arms, in Greenville, NY.
Looking forward to more beautiful countryside. So many shades of green, so many different types of trees and plants. A visual feast along the way.
Thursday, May 7, 2009
The Road Less Traveled
I love road trips. Not only do I enjoy driving, but I love being able to see the countryside along the way. I'll take interstate highways when I have to, but I prefer roads less traveled. They take you through the heart of the country. Passing through towns and cities, one is forced to slow down. Watching people as they do their daily work in their environment, while I remain somewhat invisible - just a passing car, from out of state no less - gives me a glimpse of life in that place. While it is only a glimpse, I can learn much. Does the town seem to be thriving, or does it look a little dilapidated and in need of more commerce? What might be the main industry here? In smaller towns, one can usually surmise that it's the agriculture surrounding it, that keeps the businesses afloat. But what of the midsized towns? I look for clues as I drive through.
Tasting my way across country is always fun, too. I prefer locally owned establishments to chain restaurants. I'll eat at the chains if there's nothing else, but I like asking someone who lives there, where they like to eat. I've found some gems in unlikely places.
I'm heading out for a road trip. In the next two weeks, I'll be blogging about where I am and what I'm doing. My destination is Hudson Valley, NY for a week long fiber art workshop. I'll be blogging about that, too. The entire experience is food for creativity. My camera will be busy. So check back frequently. Find out what little gems I may discover along the way.
Tasting my way across country is always fun, too. I prefer locally owned establishments to chain restaurants. I'll eat at the chains if there's nothing else, but I like asking someone who lives there, where they like to eat. I've found some gems in unlikely places.
I'm heading out for a road trip. In the next two weeks, I'll be blogging about where I am and what I'm doing. My destination is Hudson Valley, NY for a week long fiber art workshop. I'll be blogging about that, too. The entire experience is food for creativity. My camera will be busy. So check back frequently. Find out what little gems I may discover along the way.
Friday, April 3, 2009
Breathing Deeply
I know that in the world of creative endeavors, there is a great possibility that what I've created or attempted to create from the vision in my head, won't work, and I'll need to start over. Many projects have ended up in the waste basket, but I have learned from the mistakes. That's why I try to give myself extra time to work on things when there is a deadline involved. Even so, I've lived the past few years with the horrible fantasy of mis-cutting something right before a deadline, and having to order fabric to finish the commission. I just kept telling myself that if I were very careful, it wouldn't happen.
Well, it's happened! I miscalculated, my pattern slipped, and I don't have enough fabric to re-cut the pieces. I have one week to deliver this work. I have ordered more fabric and am hoping upon hope it arrives within 2 days. It was either that or pay as much as the fabric is worth to have it sent over night. I'm just thankful it isn't the night before, and also thankful that it's the lining rather than the top, which is where all the fancy stuff has been completed. I'm trying to look at the bright side. I'm also trying not to panick. That wouldn't be helpful.
So, I'll focus my energy on the companion pieces until the new fabric arrives, and breathe deeply, in and out.
Well, it's happened! I miscalculated, my pattern slipped, and I don't have enough fabric to re-cut the pieces. I have one week to deliver this work. I have ordered more fabric and am hoping upon hope it arrives within 2 days. It was either that or pay as much as the fabric is worth to have it sent over night. I'm just thankful it isn't the night before, and also thankful that it's the lining rather than the top, which is where all the fancy stuff has been completed. I'm trying to look at the bright side. I'm also trying not to panick. That wouldn't be helpful.
So, I'll focus my energy on the companion pieces until the new fabric arrives, and breathe deeply, in and out.
Monday, March 23, 2009
It's Officially Spring!
It's finally here! The season of unpredictability! Unstable weather conditions prevail. One day it's 70 degrees F, and the next, 35! Rain may give way to snow, or even thunder snow, while flowers begin to bloom. I have a small patch of daffodils in bloom close to the house. The iris is pushing out of the ground and the cuckoo pint is tall and green.
The bird population is beginning to shift. The junkos have gone and the dreaded grackles are back. In a couple of weeks I'll be listening for the distinctive sound of the Orioles. We will fill the feeders with oranges and grape jelly and watch for flashes of brilliant orange as they come to partake of the sweet treats. Much to look forward to in the next few weeks as the light continues to increase and the landscape changes from brown to green.
Warmer weather, more hours of sunlight, and new growth always energize me, both physically and creatively. Sometimes it's difficult to corral the ideas floating around. I try to travel with my camera and/or a small sketch book, but don't always manage. Sometimes, the tiniest little thing will inspire a thought process that takes me on a journey I never would have imagined. I can't wait to see where this Spring takes me.
Do others find the Spring season more energizing? Is there an increase in your creativity?
The bird population is beginning to shift. The junkos have gone and the dreaded grackles are back. In a couple of weeks I'll be listening for the distinctive sound of the Orioles. We will fill the feeders with oranges and grape jelly and watch for flashes of brilliant orange as they come to partake of the sweet treats. Much to look forward to in the next few weeks as the light continues to increase and the landscape changes from brown to green.
Warmer weather, more hours of sunlight, and new growth always energize me, both physically and creatively. Sometimes it's difficult to corral the ideas floating around. I try to travel with my camera and/or a small sketch book, but don't always manage. Sometimes, the tiniest little thing will inspire a thought process that takes me on a journey I never would have imagined. I can't wait to see where this Spring takes me.
Do others find the Spring season more energizing? Is there an increase in your creativity?
Saturday, March 7, 2009
Why is it Difficult to Claim the title of Artist?
As I've been reading blogs and tweets and articles, and talking with other artist friends, I have noticed that it's difficult for some creative people to refer to themselves as artists. There's a tendency to apologize for being creative, and spending time in creative endeavors. This strikes a chord with me, because I, too, still fight feelings of inadequacy and insecurity.
I remember having a conversation quite a few years ago with another artist friend, about whether we were artists with a capital "A" or a lower case "a". I'll give us credit for the fact that we were even talking about being artists, as I felt that just referring to myself that way was somehow unthinkable. Years later, it seems somewhat sad that we even contemplated a difference. Which brings me to the question, what is the mystique of calling oneself an artist? Why is it so difficult to claim the title?
David Bayles and Ted Orland, in their book "Art and Fear" talk about the "view of artmaking today - namely, that art rests fundamentally upon talent, and that talent is a gift randomly built into some people and not into others." In other words, the artist has been given a gift and is able to create great works of art because of this alone. Prodigies are rare, but as a culture we've all bought into the image. Speaking for myself, it leaves me with feelings of insecurity, and wondering if I'm "talented" enough.
Intellectually, I know, art is made by ordinary people. People who work hard to learn the basics; who produce a lot of work that ends up in the waste basket. While talent might be a step in the proverbial direction, it's really an issue of passion. When the desire to create overcomes the fear of not being perfect, one can make marks on the paper, or put brush to canvas or cut the fabric. When I'm not thinking about the end result, but focusing on the process, I learn something. What I'm producing in that moment may not be the best work of art I've ever done, but the knowledge gained from creating it will be put to use on the next piece. It's the passion that makes me want to go the next step, create the next piece. It may end up as part of the trash tomorrow, but today, it's what I do.
So, what about others? Is it difficult for you to call yourself an artist? And if not, have you always been able to? I welcome your comments.
I remember having a conversation quite a few years ago with another artist friend, about whether we were artists with a capital "A" or a lower case "a". I'll give us credit for the fact that we were even talking about being artists, as I felt that just referring to myself that way was somehow unthinkable. Years later, it seems somewhat sad that we even contemplated a difference. Which brings me to the question, what is the mystique of calling oneself an artist? Why is it so difficult to claim the title?
David Bayles and Ted Orland, in their book "Art and Fear" talk about the "view of artmaking today - namely, that art rests fundamentally upon talent, and that talent is a gift randomly built into some people and not into others." In other words, the artist has been given a gift and is able to create great works of art because of this alone. Prodigies are rare, but as a culture we've all bought into the image. Speaking for myself, it leaves me with feelings of insecurity, and wondering if I'm "talented" enough.
Intellectually, I know, art is made by ordinary people. People who work hard to learn the basics; who produce a lot of work that ends up in the waste basket. While talent might be a step in the proverbial direction, it's really an issue of passion. When the desire to create overcomes the fear of not being perfect, one can make marks on the paper, or put brush to canvas or cut the fabric. When I'm not thinking about the end result, but focusing on the process, I learn something. What I'm producing in that moment may not be the best work of art I've ever done, but the knowledge gained from creating it will be put to use on the next piece. It's the passion that makes me want to go the next step, create the next piece. It may end up as part of the trash tomorrow, but today, it's what I do.
So, what about others? Is it difficult for you to call yourself an artist? And if not, have you always been able to? I welcome your comments.
Monday, December 29, 2008
Endings, Beginnings and Creative Freedom
Calendars are a way of marking time. It's the end of another year, which means it's the beginning of the next. Nothing ends without something else beginning. Seasons move from one to the next, rhythms and cycles of nature, day and night, and so forth.
So as this year comes to an end, I'm trying to look back at what I've accomplished this past year, and look forward to what I would like to do in the next. I didn't get some things done that I had hoped to in 2008, but I went in a different direction. After all, nothing in my plans is carved in stone. That's the beauty of setting my own goals. If I get distracted along the way, as I so frequently am, I just find myself moving in a different direction. Sometimes it's simply a distraction and I will eventually turn and find my way back, but other times, it's something new and exciting that I wasn't aware existed until I stumbled across it.
Creative freedom - to be able to move from one thing to another when the interest is there, or when something new is discovered, is such bliss.
I have an idea where I'd like to go in 2009, and I will head in that direction. There is no guarantee, I won't deviate from the path, however. I love that part of being an artist. There's always a surprise waiting.
So as this year comes to an end, I'm trying to look back at what I've accomplished this past year, and look forward to what I would like to do in the next. I didn't get some things done that I had hoped to in 2008, but I went in a different direction. After all, nothing in my plans is carved in stone. That's the beauty of setting my own goals. If I get distracted along the way, as I so frequently am, I just find myself moving in a different direction. Sometimes it's simply a distraction and I will eventually turn and find my way back, but other times, it's something new and exciting that I wasn't aware existed until I stumbled across it.
Creative freedom - to be able to move from one thing to another when the interest is there, or when something new is discovered, is such bliss.
I have an idea where I'd like to go in 2009, and I will head in that direction. There is no guarantee, I won't deviate from the path, however. I love that part of being an artist. There's always a surprise waiting.
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